Jump Jim Crow

Jump Jim Crow is a song and dance from 1828 that was done in blackface by white comedian Thomas Dartmouth (T.D.) "Daddy" Rice. The first song sheet edition appeared in the early 1830s, published by E. Riley. The number was supposedly inspired by the song and dance of a crippled African slave called Jim Cuff or Jim Crow variously claimed to have resided in St. Louis, Cincinnati or Pittsburgh.[1][2] The song became a great 19th century hit and Rice performed all over the country as Daddy Jim Crow.

Jump Jim Crow was a key initial step in a tradition of popular music in the United States that was based on the mockery of African-Americans. The first song sheet edition appeared in the early 1830s, published by E. Riley. A couple of decades would see the mockery genre explode in popularity with the rise of the minstrel show. It was also the initial step in the still extant tradition in popular music of incorporating African styles and subject matter.

The tune became very well known not only in the United States but internationally; in 1841 the US ambassador to Central America, John Lloyd Stephens, wrote that upon his arrival in Mérida, Yucatán, the local brass band played "Jump Jim Crow" under the mistaken impression that it was the US national anthem.

As a result of Rice's fame, Jim Crow had become a pejorative adjective meaning African American by 1838[3] and from this the laws of racial segregation became known as Jim Crow laws.

The expression to jump Jim Crow came to mean "to act like a stereotyped stage caricature of a black person". See Uncle Tom.

Contents

Lyrics

Original (Eye dialect) Form

Come, listen, all you gals and boys, I'm just from Tuckyhoe;
I'm gwine to sing a little song, My name's Jim Crow.
Chorus: Wheel about, an' turn about, an' do jis so;
Eb'ry time I wheel about, I jump Jim Crow.
I went down to de river, I didn't mean to stay,
But there I see so many gals, I couldn't get away.
I'm rorer on de fiddle, an' down in ole Virginny,
Dey say I play de skientific, like massa Paganini.
I cut so many munky shines, I dance de galloppade;
An' w'en I done, I res' my head, on shubble, hoe or spade.
I met Miss Dina Scrub one day, I gib her sich a buss;
An' den she turn an' slap my face, an' make a mighty fuss.
De udder gals dey 'gin to fight, I tel'd dem wait a bit;
I'd hab dem all, jis one by one, as I tourt fit.
I wip de lion ob de west, I eat de alligator;
I put more water in my mouf, den boil ten load ob 'tator.
De way dey bake de hoe cake, Virginny nebber tire;
Dey put de doe upon de foot, an' stick 'em in de fire.[1]

Standard English Form

Come, listen, all you girls and boys, I'm just from Tuckahoe;
I'm going to sing a little song, My name's Jim Crow.
Chorus: Wheel about, and turn about, and do just so;
   Every time I wheel about, I jump Jim Crow.
I went down to the river, I didn't mean to stay,
But there I saw so many girls, I couldn't get away.
I'm roaring on the fiddle, and down in old Virginia,
They say I play the scientific, like master Paganini,
I cut so many monkey shines, I dance the galoppade;
And when I'm done, I rest my head, on shovel, hoe or spade.
I met Miss Dina Scrub one day, I give her such a buss [kiss];
And then she turn and slap my face, and make a mighty fuss.
The other girls they begin to fight, I told them wait a bit;
I'd have them all, just one by one, as I thought fit.
I whip the lion of the west, I eat the alligator;
I put more water in my mouth, then boil ten loads of potatoes.
The way they bake the hoe cake, Virginia never tire;
They put the dough upon the foot, and stick them in the fire.

Variants

Rice routinely wrote additional verses for "Jump Jim Crow". Published versions from the period run as long as 66 verses, ranging from more boastful doggerel like the original version, to an endorsement of President Andrew Jackson (known as "Old Hickory"); his Whig opponent in the 1832 election was Henry Clay:[4]

Old hick'ry never mind de boys
But hold up your head;
For people never turn to clay
'Till arter dey be dead.[5]

Other verses, also from 1832, demonstrate anti-slavery sentiments and cross-racial solidarity that were rarely found in later blackface minstrelsy:[5]

Should dey get to fighting,
Perhaps de blacks will rise,
For deir wish for freedon,
Is shining in deir eyes.
And if de blacks should get free,
I guess dey'll see some bigger,
An I shall consider it,
A bold stroke for de nigger.
I'm for freedom,
An for Union altogether,
Although I'm a black man,
De white is call'd my broder.[5]

Origins

The origin of the name "Jim Crow" is obscure but may have evolved from the use of the pejorative "crow" to refer to African Americans in the 1730s.[6] Jim may be derived from "Jimmy", an old cant term for a crow, which is based on a pun for the tool "crow" which today we call a "crowbar". Before 1900 crowbars were called "crows" and a short crowbar was and still is called a "jimmy", a typical burglar's tool.[7][8][9]

The folk concept of a dancing crow pre-dates the Jump Jim Crow ministrelsy and has its origins in the old farmer's practice of soaking corn in whiskey and leaving it out for the crows. The crows eat the corn and become so drunk they cannot fly, but wheel and jump helplessly near the ground where the farmer can kill them with a club.[10][11][12]

See also

References

  1. ^ "An Old Actor's Memories; What Mt. Edmon S. Conner Recalls About His Career." (PDF). The New York Times: p. 10. June 5, 1881. http://query.nytimes.com/mem/archive-free/pdf?res=9503E7D6133CEE3ABC4D53DFB066838A699FDE. Retrieved March 10, 2010. 
  2. ^ Hutton, Michael (Jun-Dec 1889). "The Negro on the Stage". Harpers Magazine (Harper's Magazine Co.) 79: 131–145. http://books.google.com/?id=P3cCAAAAIAAJ&lpg=PA138&dq=%22jim%20cuff%22%20cincinatti&pg=PA131#v=onepage&q=. Retrieved March 10, 2010. , see pages 137-138
  3. ^ Woodward, C. Vann and McFeely, William S. The Strange Career of Jim Crow. 2001, page 7, ISBN 978-0195146905
  4. ^ Strausbaugh 2006, pp. 92–93
  5. ^ a b c Strausbaugh 2006, p. 93
  6. ^ I Hear America Talking by Stuart Berg Flexner, New York, Van Nostrand Reinhold, 1976, ISBN 0-8128-6238-4, page 162
  7. ^ Lockwood's dictionary of terms used in the practice of mechanical engineering by Joseph Gregory Horner (1892)
  8. ^ For example, in the New York statutes on burglary it reads "...having in his possession any pick-lock, key, crow, jack, bit, jimmy, nippers, pick, betty or other implement of burglary,..." etc.
  9. ^ John Ruskin in Flors Clavigera writes "...this poor thief, with his crow-bar and jimmy" (1871).
  10. ^ "Sometimes he made the crows drunk on corn soaked in whiskey, and as they reeled among the hillocks, knocked them on the head", "A Legend of Crow Hill". The World at Home: A Miscellany of Entertaining Reading. Groombridge & Sons, London (1858), page 68.
  11. ^ "Somebody baited a field-fall of crows, once, with beans soaked in brandy; whereby they got drunk.", "Talking of Birds". The Columbian Magazine, July 1844, p. 7 (pg 350 of PDF document)
  12. ^ “Soak a few quarts of dried corn in whiskey, and scatter it over the fields for the crows. After partaking one such meal and getting pretty thoroughly corned, they will never return to it again.” The Old Farmers Almanac, 1864.

Further reading

External links